THE SYLPH AND THE SKY

 

When I accepted a job with a mental health agency, I had to give up the luxury, formerly afforded me, of a walking commute. I’m not someone who hates driving, but an hour a day, five days a week, is much more than I’m inclined to enjoy, especially considering environmental impacts.

Even so, I continue to feel grateful because, rather than strip malls and billboards, my route is lined with trees, a mountain view in one direction, big skies in the other. What a difference that has surely made, in the last three years, to my resilience.

I was sitting not long ago with a young teen girl. She was showing me art with a fantasy theme, scrolling through an album she had made on her phone. There were mermaids, griffins, fairies, elves, centaurs, etc, rendered in exquisite detail: manes and feathers and tails and wings.

Resting my arms on the kid-sized table in my office, I leaned in to admire each picture she shared and listen to her commentary. She was telling me in an offhand way that this was her art; she said she’d been busy all week with the drawing. “This is one of my favorites.” “This one was hard to get just right.” At one point, she swiped to a kneeling angel with double wings. “Hmm,” she said to me, with what I perceived as embarrassment, “I’m not sure why I made her naked—but you can’t see anything, so…”

She was showing me art she’d found online. I knew that, but I didn’t challenge her, just murmured admiration. And I didn’t question that choice, just noticed it, and noticed that it felt right, while wondering what various colleagues would do. When the slideshow came to an end, I said, “The world needs more magic, doesn’t it? Like the magic in you.” She fiddled with her phone. Without looking at me, she said, “Probably you say that to everyone.”

“Actually, I don’t,” I said—which is true. After a beat, I added, “Yes, I’m a counselor, and part of my job is seeing the best in people. But I don’t have to lie to do that.” She was quiet. Then she expressed interest in making art with me. As she drew, she sought to maintain her deception with remarks like, “I’m feeling too lazy to fix the nose.” “I guess I’ll leave the leg like that for now.”

My drawing, meanwhile, was abstract. I began with my non-dominant hand, a handy trick I was once taught, to quiet the critical voice, and delineated an oblong shape, with some internal contouring, vaguely resembling a seed, a flying saucer, or a cross-sectioned hard-boiled egg. Then I reached for the crayons and colored pencils.

“What are you making?” she asked.

“I don’t know,” I said, “I’m just having fun.”

Soon her paper turned over, and she, too, began making a more abstract design, scallop upon scallop. She told me, when she had finished, that it was a mermaid’s tail. And a thing of beauty it was.

I thought about her on my drive home, and our time together. Her observations of the pictures she showed me were often poetic, which is a gift of hers. A sylph perching on a mountain ledge and gazing at the sky was “trying to understand the clouds.”

Lately I’ve been leaving the radio off for the day’s-end commute. I open the windows enough for fresh air, not so much that I’m buffeted. The air rushing past fills my ears in a pleasant way, and I feel any tension in my face relax.

This girl, my client, made a meaningful choice. Really, more fabrication than deception. I believe she wants to possess the skill that she admires, to have a direct connection to a world of possibilities much grander and more colorful than she perceives in her actual life. Given what I know of that life, why would I seek to take such a dream from her? Like an imaginary friend, it will fade when she has no further need of it.

Sometimes the clouds take strange shapes. That evening, it was as if an enormous, thick, soft anvil rose up from the horizon. I drove toward it, trying to understand it.

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