I had an insatiable hunger as a child, which I tried to feed with chapter books, great stacks that I collected on weekly library trips—cradled below my belly and held in place with my chin, as I carried them to the checkout counter.
That hunger is still present, but fiction often feels insubstantial these days, with so little time to spare and so much to accomplish. That shelf of titles on trauma, addiction, blended families, communication, grief, and more—I need what they contain. I need it all, I need it now. Such is the pressing quality of community mental health.
My intimate contact with the stories of traumatized children leaves me with simultaneous and contradictory incentives. One, to write so vividly of the horrors I hear and the pain I witness, that the general reader looks at the world anew: aghast and called to action. Two, to obscure those horrors so as not to titillate prurient minds or inspire troubled imaginations.
Sitting with memories of trauma is usually manageable; harder by far is to know that a trauma is ongoing—unfolding right before me in my office at times, in the words of caregivers who evidence no care to give, likely having received too little when they themselves were small. Harder is listening to parents, grandparents, and guardians who are overwhelmed and relentlessly negative, who fill the ears and hearts of their charges with every kind of blame and shame, each and every possible iteration of No. Needing to be diplomatic for the umpteenth time, when that is the last thing I feel; turning down the heat lest I, too, boil over.
So it is that I recommend Raymond Carver’s story, “A Small, Good Thing,” a masterful sketch of anguish in the ordinary world, and the humble ways we can assuage it. I reread it not long ago and carry that title within me, a phrase that describes the birdfeeder on my window. How it took the birds two weeks to find it, but the first I saw was the male house finch, ardently red from crown to back and finely patterned white and brown beneath. How the female house finch brings their juveniles to feed them beak to beak, while the punk-rock tufted titmouse busies himself with the sunflower seed.
Whatever else the day brings, there is that.
The Raymond Carver story mentioned above appears in his great collection Cathedral, as well as numerous anthologies. Out of respect for client privacy, names here are always changed or omitted. Text and image copyrights held by me. If you enjoyed this piece, please consider sharing it. To subscribe and receive future posts, please look to the upper right on your computer screen, or scroll to the bottom of the page on your mobile device. Thank you for reading!